Quilt: Framed Diamond in a Square (American, Amish, about 1890)

Pennsylvania, Lancaster County. Pieced wool twill top, cotton plain weave back, wool twill binding; quilted. Museum purchase with funds donated by Hanne and Jeremy Grantham, Jane and Robert Burke, an anonymous donor, Jane Pappalardo, Lynne and Mark Rickabaugh, Carol Wall, Heidi Nitze, Ruth Oliver Jolliffe, and Mrs. Robert B. Newman, and funds by exchange from anonymous gifts, a Bequest of Miss Ellen Starkey Bates, William Sturgis Bigelow Collection, Gift of the Estate of Annie B. Coolidge, Gift of Mrs. John Dane, Gift of Louis H. Farlow, Alfred Greenough Collection, Gift of M. M. Greer, Gift of Mrs. Chester A. Hoefer, James Fund, Gift of Dr. and Mrs. Harold Karlin, Gift of Miss Mildred Kennedy, Gift of Francis Stewart Kershaw, Gift of Mrs. Bliss Knapp, Gift of Mathias Komor, The Elizabeth Day McCormick Collection, Gift of Miss Louise M. Nathurst, Gift of Mrs. George N. Northrop, and Gift of Mrs. Albertine W. F. Valentine, residuary legatee under the will of Hervey E. Wetzel (2011.90). Photograph © Museum of Fine Arts, Boston.

This Framed Diamond in a Square on point quilt was among five Amish quilts from the Pilgrim/Roy Collection carefully selected for the Museum by collector Gerald Roy at a time when the department of Textile and Fashion Arts was seeking to increase the depth and range of its 19th century quilts. This classic example is an early one from Lancaster County, Pennsylvania, a region distinguished by quilters who chose to adopt a limited repertoire of pattern types and variations that remained fixed, even as color, fabric and quality and quantity of needlework were changeable over time. Working within the constraints of what fabrics were available and which colors were socially acceptable within the community, Amish women were able to express their individuality by employing color, design, and needlework to create quilts with strong visual impact. Amish quilts became popular in the 1960s and 1970s when the color theories of Josef Albers and color field painting were gaining influence.

Click for description and collection data on mfa.org

Object a Week is a revolving showcase of MFA textile collections. A featured object may be indicative of the author’s study focus at a given moment in time and/or related to topics of research, activity, or recent acquisitions in the Museum’s Textile and Fashion Arts department

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